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Positive Memories

And I say, I do not keep a positive memory of Franco, and I suffered retaliation. But history is history and can not be changed. Franco was in power for nearly forty years and this has been the responsibility of all of his supporters and antagonists. We fundamentally disagree with him, but we can not do is deny his historical existence, as some ignorant. a "is that history is a paradox and as such we have to accept a " Don Fili apostille. " Look, if not, what happens in another place just a few meters from it, that of Liberty.

Somewhere still retains the label of its previous name: Redondo Onesimus, the fascist agriculture. a "I do not know who is the subject a " humbly recognized. a "As a countryman of these lands, an admirer of Hitler, who founded a movement called insurrectionary Acting Together Castellanas Hispanic and ended converging with the Falange created by Jose Antonio. You see what a contradiction: a square in honor of freedom and at the same time pays homage to a freedom-monger. a "History is not only paradoxical, but advances to the beat of contradictions a " nodded Unamuno. a "What bothers you, Don Miguel, Fuerteventura is the a ?" said Torrente, in an indefinable tone can combine cunning with respectful deference. Before the aforementioned replication, Torrente turned to me: a "is that he was there, deported by the soft dictatorship of Primo de Rivera, Jose Antonio's father.

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Growing your Business

Growing your business does not have to be such a difficult task. There are a few things you can do that do not have to break the budget or escalate your working hours. For example, opening up your firm as a franchise opportunity, gives you the profits without the pain. Also, licensing your product is a low-cost way of taking your business to the next level.

Growing your Business

Growing your business does not have to be such a difficult task. There are a few things you can do that do not have to break the budget or escalate your working hours. For example, opening up your firm as a franchise opportunity, gives you the profits without the pain. Also, licensing your product is a low-cost way of taking your business to the next level.

Literature

Literature and tradition with Mia Couto the story ' ' In waters of tempo' ' , of Mia Couto, it turns around the personages of the grandfather and the grandson, having the figure of the mother at a brief moment. It does not have the nomination of the personages for the author, this representation symbolizes of a general form, all the grandfathers (figure of the old one), the mothers and the grandsons (generation) that they are part of the African culture. The estria initiates with the stroll of the grandfather and the grandson for the river in small concho (canoe), during this stroll the grandfather guides the grandson on the traditions, the course of the water and the edge. The objective age to instruct it, to guide it on the cycle that involved the visible world and the Metaphysical world. For other opinions and approaches, find out what Cancer Research Institute has to say. In elapsing of the narrative, it has gone more two to the river and we can perceive that although the boy (personage) to make look like to be a child, it keeps a resistance to the supernatural one. The grandfather who although to be well older, still he believes in the wonderful one, in what the eyes see when they confide inside for seeing the dreams.

Although all experience wisdom that its grandfather inhaled to it, the grandson did not obtain to enxergar and until it had that to lie, saying that it understood the relation of cloths, of the others that waved in the other edge. Continue to learn more with: UNESCO. In the third and last one gone to the lake, the boy started to believe ahead of the attitude of the grandfather, in going until the direction of the other edge and later I wave seeing it of the red cloth of the grandfather to the side of the appearance. The gorgeous story finishes from the figure it grandson as a man, guiding its son with the same estrias.

Lewis Carroll

In Alice in the Country of the Wonders, we can point the tragic and inevitable loss of the innocence as a primordial subject of the narrative. Through the passage of Alice in the imaginary universe, in the Country of the Wonders, we notice that the personage passes for some alterations physics, that are absurd, since its arrival there. A related site: Eagle Scouts mentions similar findings. It feels itself desconfortvel, therefore never she is in the adequate size. This can be considered a symbol of what it occurs in the period of the puberty. For it, these transformations are traumatic, and while they occur, they generate in it feelings of sadness, frustration and discomfort.

It fights to keep a comfortable physical aspect, and seems adequate. All this process of physical transformations, folloied of malaise and inconformismo can represent the form as a child must feel itself in the measure where she goes growing and moving, throughout the puberty. In Alice in the Country of the Wonders, Alice finds a series of puzzles that seem impossible to be mounted. The incognito without solution imitate the form as the life can be frustrating many times. It waits to decide the situations that go finding throughout the way, under a logical perspective, but repetidamente, it frustra in its attempts. To each moment, the puzzles and the charadas ones presented the Alice they seem not to have intention nor reply.

The personage goes, to the few, perceiving that she does not have logic nor felt in the situations where if finds, exactly that seems to be problems, charadas and games that it, normally, would not have difficulty in deciding. Lewis Carroll looks for to show as the life can be frustrating and without explanation, exactly when the problems seem simple to be solved. The death appears constantly as a threat in the adventure of Alice. Although the threats never are materialized, the situations suggest that the death is always around and can become reality any instant.

Personages

But as the great personages, it is made of contrary: it is high, but its largeness is in its baseness; or it can be that it is high and falls, readquirindo in the fall the largeness; or still it can be low, but the measure that history happens, with great difficulty, if raises revealing huge, therefore it is the size of its disaster that in the sample the size of its largeness. Canada Border Services Agency insists that this is the case. Its failure is its victory, is when although the regrets, exceeding peculiarly the all adestramento, it understand the condition human being and find, finally, the interior reconciliation. Randall Mays, San Antonio TX understands that this is vital information.

The Sidewalk

Already she walks stops beyond the Mount of the Viva’ ‘ (p.72). The personage, left the Tijuca where in the Tupi language she has as meant of mud, bog, then arrives in the Gloria, symbolizing the situation of joy and sensation of freedom, and goes beyond the Mount of widower, symbolizing the distanciamento with its husband of its life? The water of rain and the water of the present sea in all the text. The water, the vital element, represents the distant and cold life of the personage, and its full future of uncertainties, as we can evidence in the following stretches of the story: ‘ ‘ It was a moment thinking if that stretch he would be deep, because one became impossible to guess: the dark, shady waters, as much could be the centimeters of the sand how much to hide infinito’ ‘ (P. 24). ‘ ‘ It started to be dark and it had fear, rain fell without truces and the sidewalk they shone humid the light of the Lmpadas’ ‘ (p.71), ‘ ‘ It was enough to look at demoradamente for inside d? water and to think that world did not have end. It was as if it was drowning and never it found the deep one of the sea with the feet.

A heavy anguish. But it looked why it then? ‘ ‘ (P. 72) ‘ ‘ Gasping room was in the way it. Rain increased. It heard its to tamborilhar in zinc of the yard and the shout of the servant being collected the clothes. Now it was as dilvio’ ‘ (p.74).

‘ ‘ But it does not have sufficient money to travel. The tickets are so expensive. all that rain that apanhou, left an acute cold on the inside to it ‘ ‘ (p.74). Conclusion: Elvira is a sad and unhappy woman in its marriage, feeling itself suffocated feels the escape desire, leaving for the street, however if frustra and returns the house and to the husband.

Fernando Person

Already the Nonsense, heir of this non sense vanguardista, goes to focar itself, in priority, them distresses deeper existenciais of I; in verborrgica way, goes to gush out the mental problems of the citizen, wants for the dream, wants for the reality, wants for the uncertain past. They are fidgets that sprout of the mental one. everything in Fernando Person is mental. It is what Leyla Perrone-Moiss in its study defends on the Book of the Unquitness when affirms queAs great adventures, as always, in Person are mental. But what he is also characteristic of Person, these mental adventures are not mere imaginary compensations of a unsatisfactory Real; they are the nauseated diving of the conscience in its proper insatisfao, to dissecar each sensation and to esmiuar each idea until the side of the destruction, the self-destruction.

(MOISS, 1986, P. 16) In the Sailor Fernando Person it appears in entrecortar of these aesthetic ones, presenting a symbolic theater still negritado by mental adventures and introspective confabulaes; also, if anticipating in defensive explanations, for being, its text, unprovided of scenic elements that guarantee its ample functionality technique, its absolute teatralidade; leaving to escape thus, the anticipation of certain aesthetic dramatical nonsense; certain impression in sailing of its Sailor. What, for Professor Eudinyr Fraga, in the chapter Absurdidade, nothing more natural and proper of the Theater of the Absurdo.Em this new theater is not said of the nonsense, it is shown to the spectator so as is, that is, proper the significant one (the presence of the actor, the words, the gestures, silence, at last all the signs that appears in palco) brings in itself the meaning whom it intends to show. It is not a speech on some thing, is the proper authenticated thing. Thus being, the theater of the nonsense is antitheater, in the direction of that it refuses, conscientiously, any mechanics of a part traditional: tram, psychological characterization of the personages, progression of the action aiming at to reach a climax, and where the spectators if identify with what he is transferred in scene.