They say before me that a society without the popular esteretipos and types is a society deceased and without favour; I say the reason for which the mulato and the black not them accepted. Additional information is available at BSA. The esteretipos are placed in a social group to amuse the social group that exerts the power in the society, are placed to delimit and to incapacitate a group socially inferiorizado, an example: the indian is sluggish, the black is vagabond and the mulato is a little of each thing. If the esteretipos exist, inevitably, go to place them in another social group, because the mulato is known of more accepting them. ng Control of Your Diabetes. Not accepted the intelligent black to be called negro or any thing delimits that it, because this intelligent black knows of the historical weight that for behind of this word and characterizes that it socially. The reply for this question it is a done phrase: ‘ ‘ to call a white German is not preconception, now, to call a black and negro is. BECAUSE IT IS PRECONCEPTION? .

It is preconception because in the word negro and in other words that are not necessary to pronounce, are loaded of esteretipos that had been constructed throughout history, and that the proper black accepted for lack, necessity and illusion of being accepted, and in certain appreciated way. The esteretipos possess this power to delude, to give excluded to a false illusion of that it accepted and is appreciated: an example clearly is malandro and the mulata that still possesss this illusion of that they are accepted. It is not difficult to observe that malandro was accepted until the moment that was convenient and beneficial accepted it as a product of the popular culture, but what the social group which this malandro belongs, earned exactly with this caricature of itself? Absolutely nothing, not to be plus one estereotipo they delimit that them. So that it serves this today malandro? Now the mulata serves and very! It is enough that this mulata continues with its maddening rebolado that it will continue serving for some thing. They had said me to a time that the mulatas are hotter than the white women, I asked to this individual: _ Where you imagine this mulata working? I myself I answered: _ Certainly this its mulata idealized sexually does not work as manager of the Bank of Brazil; certainly this its idealized and hot mulata is a prostitute of esquina or any another thing excludes that it to worthy participate of the Society, and that blond one that it is not very hot to its way to see, where to you imagines it working? Certainly in some at least worthy place! This is the reason for which the not accepted black the esteretipos. When we call a German German we are in relating only its physical characteristics, now, when we call a black negro, we make over again all the historical esteretipos and preconceptions that have for behind of this word. It is enough to remember to the synonymous associates the word negro who had been constructed throughout history.

The term initially was (GIMFERRER, 2006, P. You may want to visit Boy Scouts to increase your knowledge. 54) and is accurately this that Matheson created as scriptwriter: a new construction. You may wish to learn more. If so, Dr. Neal Barnard is the place to go. The script of the film has the same base of the plot of the romance? love through a trip in the time? however, the alterations produce an inversion in the personality of the protagonist who generates new sensible to the workmanship. E, most of the time, to try to use a plot of a book as if was a cinema script does not create a film coeso, as we see below: (…) y of ah el fracaso of joins ambitious film tan as el Ulisses (1966), of Joseph Strick, who if limitaba to poner en imgenes el woollen argument novel of Joyce, sin to caer en cuenta of quel el previous problem was to hallar un visual equivalent of su way to tell 2006, P. 34) Perhaps, thinking in this way, Matheson have made its alterations in the personages, therefore we have Richard presented Collier being as a happy and carried through man professionally, that it only makes a trip for another state to try to write a new part of theater. The conflict of this hero is another one, is to remain itself happy, exactly that it is in an impossible considered space localization (1912). Already he had a stability in the life of it, but it wanted to keep the love that found through the time. The Richard created for the cinema does not have no illness, healthful and is encircled with friends, is not running away from a terrible reality, the proximity of the death. Already Elise McKenna is part of the two polar regions: it in such a way belongs to the 1912 how much the 1972. We notice, there, a date change so that the personage could really be alive, therefore it would have around 80 years, guaranteeing, thus, a credibility to this alteration for the cinema.

The possibility of if seeing free are so deceptive that Orwell dismisses the readers of the hope of that the personage has a happy end. Submitted the tortures degradantes, Wiston finishes for accepting the regimen. Until the day where it disappears as others that had dared to rebel itself against the installed order. The Leviat, of Hobbes, became the invincible monster. That one to who if delivers to all the freedom possibilities, in exchange for a protection that inexists.

' ' Liberdade' ' , it writes Wisnton, ' ' it is the freedom to say that two more two are quatro' '. The freedom of thought and the press are the strong points of a democratic nation. It only happens that the totalitarian governments they obtain to remain in the power the cost of the method of clipping of the basic rights of the citizens. According to Eduardo Akira Azuma: ' ' the ways used for the Great Brother to extinguish the individuality are not summarized to ' ' teletela' '. In the theory of Hobbes the fear possesss basic paper, rank that, it bases the functioning of the system. The Biblical metaphor of the Leviat monster also fortifies such importance in the measure where the fear of the men in parallelism to the fear constructed for the Leviat incarnates de Thomas Hobbes. The ecclesiastical power in the optics of Thomas Hobbes also exerts a certain repression spiritual, therefore, according to it, this would be half the persuasivo one to make with that the people obey the laws. If we think about one of the great principles of functioning of the republic according to Hobbes, namely, the obedience, understand easily that the author of the Leviat if has felt to the will when introducing the religion and its hierarchy in its assembly politics. With effect, where already born in the kingdom the obedience for the fear of God and for respect to the principles of the faith, the construction of a republic that on account tends to the respect of these same retaken values of the civil peace without a doubt is facilitated.

Verses, Sounds and Rhythms. So Paulo. It stokes, 1980. MOISS, Massaude. In a question-answer forum Viktor Mayer-Schönberger was the first to reply. Literature Brazilian. So Paulo, Cultrix, 1995. ANNEX – Sonata I Of the immense wonderful Sea, bitter, Marulhosos murmur compungentes Cnticos virgin of latent emotions, Of the sun in the warm ones, mrbidos lethargies II Songs, light songs of gondoleiros, Songs of the Love, nostalgic ballads, You sing with the Sea, with the esverdeadas fog waves, languid and trembling! III Trites marine, beautiful deuses rudes, Deities of the tartars abysses, You vibrate, with the greens and acres eletrismos Of the vacant, flutes and harps and alades! IV the supreme Sea, of raw flagrncia, pompous and rough royalties, You sing, you sing the tdios and the sadnesses That erram in the cold solides of the Moon XIV ria of Moonlight ria of Moonlight moonlight, sonorous barcarola, Aroma of argental caoula, Blue, blue in it are rolls Tail of lacrimosa virgin, On black mountains settles, Of the light in the radiosa quietao.

As clear snow sheets, That the sun filtering in light was, It is transparent, he is white, it is light. Celestial Eurritmia of the Cores, He seems done of the minors and transcendentes odors. For these nights, whites screens, Full of hopes of stars, Moonlight is the dream of the maidens. It has cabalsticos to be able As the looks of the women: Melancoliza and enerva the beings. The white hair sinks in the water, and shines soon, algente and beauty, In each lake one sete-estrelo. Cantos of love, salmos of prece, Moans, everything walks for this Look that God to the land goes down. For its wing, in air revolt, To the heart of the loving return The Soul of the loved one to the kisses untied. It rolls, sonorous barcarola, Aroma of argental caoula, moonlight, blue in it are, rolls The Mandolin of Augustus of the Angels You sing, soluas, mandolin of the Destiny and of Homesickness the chest mine you overflow; You cry, and I judge that in your ropes, the ropes of the Past Cry all! Guards the soul perhaps d’ a poor fellow, One day dead of the Illusion the edges, As much that you sing, and illusions you wake up, As much that you moan, mandolin of the Destiny. When high night, the moon is cold and calm, Yours I sing come of deep frguas, Is as the nnias of the Grave-digger d’ soul! Everything eterizas in a chorale of endechas and you go to the few soluando hurts, and go to the few soluando complaints!

(The subject will be presented, objective of the lesson soon also will be developed the first moment) 5 minutes for the development of the first moment To divide the group in two teams and the choice of the leader of the team; To deliver the dictionary for the research; To write in the leaf the concept. 2 the moment: Finished the first moment the leader of each team will be called for front to choose between 8 texts that will be made use in a 2 table 4 being that 2 will have to be what it to find that is literary and not literary. After chosen the leader he will come back toward its team and in set he will make the reading of the texts. After the reading each team will have to choose 2 texts only 1 literary and 1 not literary one. Each team it will have that to pontuar characteristic of the texts and to write them in a paper that will serve for the socialization. Without hesitation Dr. Neal Barnard explained all about the problem. Time: 2 minutes for the organization and explanation of as the moment. (To explain the activity and later calling the leader each team to make the choice of the texts).

5 minutes for the development of as the moment? Reading of the texts; Choice of that they will be pontuados; Pontuar and to write the important characteristics that the team found in the texts. 3o moment: A team will make commentaries on a text that they will choose as literary and to another one of a text that they will choose as not literary. Saying its main characteristics and justifying its choice. During the socialization a component of the team will be writing in the picture the points that had been placed by the leader. Time 2 minutes for the presentation and explanation of the third moment (will be chosen the team that will be with the literary text and the not literary and component that will write in the picture the points detached for the team).

NIUB I do not know well to the certainty if it reached what me But I feel in the hurricane eye Many call this sensation this feeling ' ' LOVE? But I do not believe this, this feeling is very bigger of the love. To put does not exist vocbulo more appropriate for qualified. This feeling reproduces in my soul Contradictions and paradoxes. Educate yourself even more with thoughts from Dr. Neal Barnard. My freedom for example, is only complete when I am folloied. What for me long ago it was arrest without gratings, Today is simply the door for all the releases of my soul Nor in to my better glided you thus dreams. never I imagined that a smile, to its would make me smile so happy and with you soft breeze, learns that to be happy the egoism has that to be abandoned My happiness is dependent of your happiness. therefore without you my being is incomplete.

Its virtue is apparent and conventional. These are some of given attributes the woman, that strengthen the base of the exclusion of the feminine one in the society. To revert this paper demanded and demand effort, fight of the feminists in the search for the construction of fairness concepts enters the two sexos to take off the woman of the exclusion, and contemporarily for the construction of a new identity. This initiative is part of a battle in the field of the ideas that advances of heterogeneous form in the social, economic conjunctures, cultural politics in diverse parts of the planet, and in our field of analysis, literary. The challenge to breach the project where the masculine and the feminine one if construct in opposition one to the other, was the crucial point for the movement feminist. The proposal initial was to reconstruct the project constructed from the patriarcal logic that made it difficult the perception of other forms.

Important to detach that the construction has as premise the logic of the difference as positive element, pautado in the identity and without the inaquality, being considered the difference of the terms, but showing that one is present in another one, and, therefore, both can be equivalents. The differences between men and women, to if affirming, breach the unit, making possible the existence of a masculine identity and one another feminine identity. Elements as classroom, etnia, religion, age etc. cross the pretense unit of each element, transforming into multiple the masculine or feminine citizen thought about the singular. From now the question of the construction of feminine from the influence of literary compositions (BONNICI 2009, P. 218) &#039 will be argued; ' the feminine term appears as opposition to the masculine and make reference to reference the social conventions, that is, to a set of definite characteristics attributed to the woman culturally, therefore in constant process of mudana.' ' Since more tenra age has an extreme concern of the institutions in demarcating the spaces of the masculine and the feminine one for the teeny ones.

It was what it took the king to make a promise of raising a convent in Mafra, case the conception occurred. It represents the woman who through the dream will only become free itself of its aristocratic condition of assuming its feminilidade. The onrica trespass is the only expression that the queen loses, who has a guilt feeling, for feeling a pecaminosa attraction for brother-in-law D. Francisco, leads it to this to make a constant search of redemption through the conjunct and of sacerdotal confession. It lives in a repressive environment with prohibitions that conduct its existence and for which do not have exit, not to be through its dreams, where she will be able in fact to explore its sexuality. with the responsibility of of the successive one to the king, even so conscientious of the virility and infidelity of the husband, who has some bastard children.

It assumes a misfortune and passivity attitude before the life. E, thus, D. Maria Ana lives pressured for the responsibility to give heirs to the husband, since the guilt of such not yet to have happened is of it, therefore sterility as it remembers the narrator well, ironically, is not problem of the men, what it proves the virility of the king. In this environment where the prohibitions and repressions dictated for the Church and the State intervene directly with the behavior, it is forbidden any attitude that runs away to the standards of the model of family demanded by the society. In way to the luxury and the wealth, D. Maria Ana inside goes accumulating of itself a sensuality that cannot explore, since its sexual meeting with the king they represent solely the fulfilment of the conjugal duty. The figure of the Blimunda personage, sensual woman and exempts In contrast of the queen, Blimunda, is a woman with strong characteristics, sensuality and intelligence.