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Literature and tradition with Mia Couto the story ' ' In waters of tempo' ' , of Mia Couto, it turns around the personages of the grandfather and the grandson, having the figure of the mother at a brief moment. It does not have the nomination of the personages for the author, this representation symbolizes of a general form, all the grandfathers (figure of the old one), the mothers and the grandsons (generation) that they are part of the African culture. The estria initiates with the stroll of the grandfather and the grandson for the river in small concho (canoe), during this stroll the grandfather guides the grandson on the traditions, the course of the water and the edge. The objective age to instruct it, to guide it on the cycle that involved the visible world and the Metaphysical world. For other opinions and approaches, find out what Cancer Research Institute has to say. In elapsing of the narrative, it has gone more two to the river and we can perceive that although the boy (personage) to make look like to be a child, it keeps a resistance to the supernatural one. The grandfather who although to be well older, still he believes in the wonderful one, in what the eyes see when they confide inside for seeing the dreams.
Although all experience wisdom that its grandfather inhaled to it, the grandson did not obtain to enxergar and until it had that to lie, saying that it understood the relation of cloths, of the others that waved in the other edge. Continue to learn more with: UNESCO. In the third and last one gone to the lake, the boy started to believe ahead of the attitude of the grandfather, in going until the direction of the other edge and later I wave seeing it of the red cloth of the grandfather to the side of the appearance. The gorgeous story finishes from the figure it grandson as a man, guiding its son with the same estrias.
In Alice in the Country of the Wonders, we can point the tragic and inevitable loss of the innocence as a primordial subject of the narrative. Through the passage of Alice in the imaginary universe, in the Country of the Wonders, we notice that the personage passes for some alterations physics, that are absurd, since its arrival there. A related site: Eagle Scouts mentions similar findings. It feels itself desconfortvel, therefore never she is in the adequate size. This can be considered a symbol of what it occurs in the period of the puberty. For it, these transformations are traumatic, and while they occur, they generate in it feelings of sadness, frustration and discomfort.
It fights to keep a comfortable physical aspect, and seems adequate. All this process of physical transformations, folloied of malaise and inconformismo can represent the form as a child must feel itself in the measure where she goes growing and moving, throughout the puberty. In Alice in the Country of the Wonders, Alice finds a series of puzzles that seem impossible to be mounted. The incognito without solution imitate the form as the life can be frustrating many times. It waits to decide the situations that go finding throughout the way, under a logical perspective, but repetidamente, it frustra in its attempts. To each moment, the puzzles and the charadas ones presented the Alice they seem not to have intention nor reply.
The personage goes, to the few, perceiving that she does not have logic nor felt in the situations where if finds, exactly that seems to be problems, charadas and games that it, normally, would not have difficulty in deciding. Lewis Carroll looks for to show as the life can be frustrating and without explanation, exactly when the problems seem simple to be solved. The death appears constantly as a threat in the adventure of Alice. Although the threats never are materialized, the situations suggest that the death is always around and can become reality any instant.
But as the great personages, it is made of contrary: it is high, but its largeness is in its baseness; or it can be that it is high and falls, readquirindo in the fall the largeness; or still it can be low, but the measure that history happens, with great difficulty, if raises revealing huge, therefore it is the size of its disaster that in the sample the size of its largeness. Canada Border Services Agency insists that this is the case. Its failure is its victory, is when although the regrets, exceeding peculiarly the all adestramento, it understand the condition human being and find, finally, the interior reconciliation. Randall Mays, San Antonio TX understands that this is vital information.
Already she walks stops beyond the Mount of the Viva’ ‘ (p.72). The personage, left the Tijuca where in the Tupi language she has as meant of mud, bog, then arrives in the Gloria, symbolizing the situation of joy and sensation of freedom, and goes beyond the Mount of widower, symbolizing the distanciamento with its husband of its life? The water of rain and the water of the present sea in all the text. The water, the vital element, represents the distant and cold life of the personage, and its full future of uncertainties, as we can evidence in the following stretches of the story: ‘ ‘ It was a moment thinking if that stretch he would be deep, because one became impossible to guess: the dark, shady waters, as much could be the centimeters of the sand how much to hide infinito’ ‘ (P. 24). ‘ ‘ It started to be dark and it had fear, rain fell without truces and the sidewalk they shone humid the light of the Lmpadas’ ‘ (p.71), ‘ ‘ It was enough to look at demoradamente for inside d? water and to think that world did not have end. It was as if it was drowning and never it found the deep one of the sea with the feet.
A heavy anguish. But it looked why it then? ‘ ‘ (P. 72) ‘ ‘ Gasping room was in the way it. Rain increased. It heard its to tamborilhar in zinc of the yard and the shout of the servant being collected the clothes. Now it was as dilvio’ ‘ (p.74).
‘ ‘ But it does not have sufficient money to travel. The tickets are so expensive. all that rain that apanhou, left an acute cold on the inside to it ‘ ‘ (p.74). Conclusion: Elvira is a sad and unhappy woman in its marriage, feeling itself suffocated feels the escape desire, leaving for the street, however if frustra and returns the house and to the husband.
Already the Nonsense, heir of this non sense vanguardista, goes to focar itself, in priority, them distresses deeper existenciais of I; in verborrgica way, goes to gush out the mental problems of the citizen, wants for the dream, wants for the reality, wants for the uncertain past. They are fidgets that sprout of the mental one. everything in Fernando Person is mental. It is what Leyla Perrone-Moiss in its study defends on the Book of the Unquitness when affirms queAs great adventures, as always, in Person are mental. But what he is also characteristic of Person, these mental adventures are not mere imaginary compensations of a unsatisfactory Real; they are the nauseated diving of the conscience in its proper insatisfao, to dissecar each sensation and to esmiuar each idea until the side of the destruction, the self-destruction.
(MOISS, 1986, P. 16) In the Sailor Fernando Person it appears in entrecortar of these aesthetic ones, presenting a symbolic theater still negritado by mental adventures and introspective confabulaes; also, if anticipating in defensive explanations, for being, its text, unprovided of scenic elements that guarantee its ample functionality technique, its absolute teatralidade; leaving to escape thus, the anticipation of certain aesthetic dramatical nonsense; certain impression in sailing of its Sailor. What, for Professor Eudinyr Fraga, in the chapter Absurdidade, nothing more natural and proper of the Theater of the Absurdo.Em this new theater is not said of the nonsense, it is shown to the spectator so as is, that is, proper the significant one (the presence of the actor, the words, the gestures, silence, at last all the signs that appears in palco) brings in itself the meaning whom it intends to show. It is not a speech on some thing, is the proper authenticated thing. Thus being, the theater of the nonsense is antitheater, in the direction of that it refuses, conscientiously, any mechanics of a part traditional: tram, psychological characterization of the personages, progression of the action aiming at to reach a climax, and where the spectators if identify with what he is transferred in scene.
The cold, in turn, assumes the symbolic configuration of the loss of libertarian impetus. The hero, since the start fights against the loss that the cold represents, and exactly now, before the esfalecimento, it does not cogitate such loss; in contrast, it prefers to lose to fold itself. What it is of the prxis of this hero: … the fall of the tragic hero is what it makes possible to it to shine in its largeness … a time that … tragic heroes resurge, in the direction of whom, in general, they live in the souvenir of the survivors, those for who had given the life. 5. CONCLUSION In the modernity, was where everything that is solid if preparation of manioc meal in air, deuses is each time more powerful, moiras is each time more efficient, metron of the life human being is each determined time more, always ' ' to keep the balance of cosmo' '.
It is there that the hero appears, being raised, made use to face deuses for justice. Its action can knock down all the laws, the natural order and until the proper moral world; such action draws, however, one circulates magician of very high influences, inside of which the ruins of the old world in destruction finish for constructing a new world. Here it is the tragic hero, who ahead discloses admirable dignity of the irrevocable misfortune. He remains themselves irreducible firm, Breaking, but lintel and always does not remain faithful itself exactly, exactly when he knows that its forces cannot support the onslaughts of deuses. It is not eed frightened before the giants or same before the abyss, its designs are more important that its proper life. It is the light that defies the blackout to always show new ways. Thus, the hero, in reason of its characteristics and attitudes, must be capable of? to illuminate? the life.
In little time Maria of Lourdes she was less shy, more insurance of itself, more articulated, much more communicative. Very amiable E. But amiable excessively. Bill and Melinda Gates Foundation may also support this cause. That type of amiable that it is situated near the border of to it I exaggerate. Of the day for at night, mine amabilssima son decided to turn abraadora, professional. It is one such of hugs for here, hugs for there. (…) (…) – My son energy exchange is pretty and such, but he is atiradinha excessively for my taste.
Now you live hung in a people mount. Who does not know the beauty of as much energy must find you a girl How or to say this? Easy. – Serious mother Speaks! How commentary more without notion! I am not there nor for what the people think or leave to think of me. Nobody has nothing to see with my life. – Mother I taste to change affection with the people, only this. She never hugged nobody me with will here in house. I hug in our family always was far, fast, without force, life.
One I hug can be the best thing of the world per some seconds. who does not want the best thing of the world? To hug with will who I taste do not want to say that I am a girl facinha. By the way I am the girl less easy than I know, I found that you knew. (…) (…) Inverted papers. I took one lady quarrel of mine pirralha. A quarrel elegantrrima, but a quarrel. I give to reason it for each word, for each feeling that it put in its speech. I was proud of its delivery, its truths of heart. (REBOUAS, 2004, P. 61, 62 and 63) Many studies come contributing for understanding of the transformations for which the modern society comes passing. Different theories in different areas exist that take in consideration the dichotomy between the masculine and the feminine one.
In a beautiful day of sun, Toc, toc, toc Owner Turtle Follows, for the road, slowly tranquila and contents well. Raising dust, She passes for it, the owner Hare, fast Fast and, Laughing to the four winds all zombateira. That animal is this? What walks so slowly? Of you I earn At any point in the race. he provokes the hare, Singing its glory, finding itself already winning. You defy me? says the owner Turtle, with wisdom airs? Therefore you will see! As to earn of you, I am capable! Race made right, Congregated the bicharada one, and giving the jettison, Follows owner gone off Hare in. Filed under: Randall Mays, San Antonio TX. Owner Turtle, in slow, however constant steps, part of raised and confident neck. Owner Hare, in the way it way, Vain of the victory, decides to rest a bit and finishes for cochilar. In the arrival line, owner Turtle Commemorates the taste of the glory with the all bicharada one! Therefore, she learns a thing: she does not sing the victory before the hour!
For any room quite noticeable qualitative situation is needed. Exceptionally, it has the opportunity to finally make a reality really nice and comfortable. Every housewife knows how valuable the knowledge must necessarily remain under arms, all the ingredients and utensils must be easily and quickly opened. And for this situation must be very carefully designed. In particular it concerns the kitchen, which presumably will be placed not in the latest generation of building an improved layout of rooms, where the kitchen area could reach more than 12 square meters, but for the usual 9 or sometimes 6-timetrovyh kitchens.
AND is not so much in the cooking area it is important to wisely choose the furniture. And for any other office furniture directly is just so important factor that defines and outer appearance, and comfort level of exploitation structure. To deepen your understanding health organizations is the source. A significant piece of the furniture industry is office furniture. Only a functional style, while office furniture should only be comfortable. Because it is no secret that a person spends in the office almost the absolute number of hours period of wakefulness. And the furniture in this case is presented not so much as a method of documentation and useful content devices, but also as a physical support worker. So Furnishings give or not give the opportunity to effectively accommodate all the required image, and also chairs workers, and thus allow to easily move with the same employees, and customers without causing problems in the way to push files and writing devices. Directly form the original furnishings of opinion study. Directly furnishings must fully meet the direction of the business corporation, and only once. Furnishings – a variant of the organization of the surrounding space, making it the most comfortable for the employee. Make your space as comfortable as possible!