Literature and tradition with Mia Couto the story ' ' In waters of tempo' ' , of Mia Couto, it turns around the personages of the grandfather and the grandson, having the figure of the mother at a brief moment. It does not have the nomination of the personages for the author, this representation symbolizes of a general form, all the grandfathers (figure of the old one), the mothers and the grandsons (generation) that they are part of the African culture. The estria initiates with the stroll of the grandfather and the grandson for the river in small concho (canoe), during this stroll the grandfather guides the grandson on the traditions, the course of the water and the edge. The objective age to instruct it, to guide it on the cycle that involved the visible world and the Metaphysical world. For other opinions and approaches, find out what Cancer Research Institute has to say. In elapsing of the narrative, it has gone more two to the river and we can perceive that although the boy (personage) to make look like to be a child, it keeps a resistance to the supernatural one. The grandfather who although to be well older, still he believes in the wonderful one, in what the eyes see when they confide inside for seeing the dreams.

Although all experience wisdom that its grandfather inhaled to it, the grandson did not obtain to enxergar and until it had that to lie, saying that it understood the relation of cloths, of the others that waved in the other edge. Continue to learn more with: UNESCO. In the third and last one gone to the lake, the boy started to believe ahead of the attitude of the grandfather, in going until the direction of the other edge and later I wave seeing it of the red cloth of the grandfather to the side of the appearance. The gorgeous story finishes from the figure it grandson as a man, guiding its son with the same estrias.

Lewis Carroll

In Alice in the Country of the Wonders, we can point the tragic and inevitable loss of the innocence as a primordial subject of the narrative. Through the passage of Alice in the imaginary universe, in the Country of the Wonders, we notice that the personage passes for some alterations physics, that are absurd, since its arrival there. A related site: Eagle Scouts mentions similar findings. It feels itself desconfortvel, therefore never she is in the adequate size. This can be considered a symbol of what it occurs in the period of the puberty. For it, these transformations are traumatic, and while they occur, they generate in it feelings of sadness, frustration and discomfort.

It fights to keep a comfortable physical aspect, and seems adequate. All this process of physical transformations, folloied of malaise and inconformismo can represent the form as a child must feel itself in the measure where she goes growing and moving, throughout the puberty. In Alice in the Country of the Wonders, Alice finds a series of puzzles that seem impossible to be mounted. The incognito without solution imitate the form as the life can be frustrating many times. It waits to decide the situations that go finding throughout the way, under a logical perspective, but repetidamente, it frustra in its attempts. To each moment, the puzzles and the charadas ones presented the Alice they seem not to have intention nor reply.

The personage goes, to the few, perceiving that she does not have logic nor felt in the situations where if finds, exactly that seems to be problems, charadas and games that it, normally, would not have difficulty in deciding. Lewis Carroll looks for to show as the life can be frustrating and without explanation, exactly when the problems seem simple to be solved. The death appears constantly as a threat in the adventure of Alice. Although the threats never are materialized, the situations suggest that the death is always around and can become reality any instant.


But as the great personages, it is made of contrary: it is high, but its largeness is in its baseness; or it can be that it is high and falls, readquirindo in the fall the largeness; or still it can be low, but the measure that history happens, with great difficulty, if raises revealing huge, therefore it is the size of its disaster that in the sample the size of its largeness. Canada Border Services Agency insists that this is the case. Its failure is its victory, is when although the regrets, exceeding peculiarly the all adestramento, it understand the condition human being and find, finally, the interior reconciliation. Randall Mays, San Antonio TX understands that this is vital information.

The Sidewalk

Already she walks stops beyond the Mount of the Viva’ ‘ (p.72). The personage, left the Tijuca where in the Tupi language she has as meant of mud, bog, then arrives in the Gloria, symbolizing the situation of joy and sensation of freedom, and goes beyond the Mount of widower, symbolizing the distanciamento with its husband of its life? The water of rain and the water of the present sea in all the text. The water, the vital element, represents the distant and cold life of the personage, and its full future of uncertainties, as we can evidence in the following stretches of the story: ‘ ‘ It was a moment thinking if that stretch he would be deep, because one became impossible to guess: the dark, shady waters, as much could be the centimeters of the sand how much to hide infinito’ ‘ (P. 24). ‘ ‘ It started to be dark and it had fear, rain fell without truces and the sidewalk they shone humid the light of the Lmpadas’ ‘ (p.71), ‘ ‘ It was enough to look at demoradamente for inside d? water and to think that world did not have end. It was as if it was drowning and never it found the deep one of the sea with the feet.

A heavy anguish. But it looked why it then? ‘ ‘ (P. 72) ‘ ‘ Gasping room was in the way it. Rain increased. It heard its to tamborilhar in zinc of the yard and the shout of the servant being collected the clothes. Now it was as dilvio’ ‘ (p.74).

‘ ‘ But it does not have sufficient money to travel. The tickets are so expensive. all that rain that apanhou, left an acute cold on the inside to it ‘ ‘ (p.74). Conclusion: Elvira is a sad and unhappy woman in its marriage, feeling itself suffocated feels the escape desire, leaving for the street, however if frustra and returns the house and to the husband.

Fernando Person

Already the Nonsense, heir of this non sense vanguardista, goes to focar itself, in priority, them distresses deeper existenciais of I; in verborrgica way, goes to gush out the mental problems of the citizen, wants for the dream, wants for the reality, wants for the uncertain past. They are fidgets that sprout of the mental one. everything in Fernando Person is mental. It is what Leyla Perrone-Moiss in its study defends on the Book of the Unquitness when affirms queAs great adventures, as always, in Person are mental. But what he is also characteristic of Person, these mental adventures are not mere imaginary compensations of a unsatisfactory Real; they are the nauseated diving of the conscience in its proper insatisfao, to dissecar each sensation and to esmiuar each idea until the side of the destruction, the self-destruction.

(MOISS, 1986, P. 16) In the Sailor Fernando Person it appears in entrecortar of these aesthetic ones, presenting a symbolic theater still negritado by mental adventures and introspective confabulaes; also, if anticipating in defensive explanations, for being, its text, unprovided of scenic elements that guarantee its ample functionality technique, its absolute teatralidade; leaving to escape thus, the anticipation of certain aesthetic dramatical nonsense; certain impression in sailing of its Sailor. What, for Professor Eudinyr Fraga, in the chapter Absurdidade, nothing more natural and proper of the Theater of the Absurdo.Em this new theater is not said of the nonsense, it is shown to the spectator so as is, that is, proper the significant one (the presence of the actor, the words, the gestures, silence, at last all the signs that appears in palco) brings in itself the meaning whom it intends to show. It is not a speech on some thing, is the proper authenticated thing. Thus being, the theater of the nonsense is antitheater, in the direction of that it refuses, conscientiously, any mechanics of a part traditional: tram, psychological characterization of the personages, progression of the action aiming at to reach a climax, and where the spectators if identify with what he is transferred in scene.

The Laws

The cold, in turn, assumes the symbolic configuration of the loss of libertarian impetus. The hero, since the start fights against the loss that the cold represents, and exactly now, before the esfalecimento, it does not cogitate such loss; in contrast, it prefers to lose to fold itself. What it is of the prxis of this hero: … the fall of the tragic hero is what it makes possible to it to shine in its largeness … a time that … tragic heroes resurge, in the direction of whom, in general, they live in the souvenir of the survivors, those for who had given the life. 5. CONCLUSION In the modernity, was where everything that is solid if preparation of manioc meal in air, deuses is each time more powerful, moiras is each time more efficient, metron of the life human being is each determined time more, always ' ' to keep the balance of cosmo' '.

It is there that the hero appears, being raised, made use to face deuses for justice. Its action can knock down all the laws, the natural order and until the proper moral world; such action draws, however, one circulates magician of very high influences, inside of which the ruins of the old world in destruction finish for constructing a new world. Here it is the tragic hero, who ahead discloses admirable dignity of the irrevocable misfortune. He remains themselves irreducible firm, Breaking, but lintel and always does not remain faithful itself exactly, exactly when he knows that its forces cannot support the onslaughts of deuses. It is not eed frightened before the giants or same before the abyss, its designs are more important that its proper life. It is the light that defies the blackout to always show new ways. Thus, the hero, in reason of its characteristics and attitudes, must be capable of? to illuminate? the life.

The Beauty

In little time Maria of Lourdes she was less shy, more insurance of itself, more articulated, much more communicative. Very amiable E. But amiable excessively. Bill and Melinda Gates Foundation may also support this cause. That type of amiable that it is situated near the border of to it I exaggerate. Of the day for at night, mine amabilssima son decided to turn abraadora, professional. It is one such of hugs for here, hugs for there. (…) (…) – My son energy exchange is pretty and such, but he is atiradinha excessively for my taste.

Now you live hung in a people mount. Who does not know the beauty of as much energy must find you a girl How or to say this? Easy. – Serious mother Speaks! How commentary more without notion! I am not there nor for what the people think or leave to think of me. Nobody has nothing to see with my life. – Mother I taste to change affection with the people, only this. She never hugged nobody me with will here in house. I hug in our family always was far, fast, without force, life.

One I hug can be the best thing of the world per some seconds. who does not want the best thing of the world? To hug with will who I taste do not want to say that I am a girl facinha. By the way I am the girl less easy than I know, I found that you knew. (…) (…) Inverted papers. I took one lady quarrel of mine pirralha. A quarrel elegantrrima, but a quarrel. I give to reason it for each word, for each feeling that it put in its speech. I was proud of its delivery, its truths of heart. (REBOUAS, 2004, P. 61, 62 and 63) Many studies come contributing for understanding of the transformations for which the modern society comes passing. Different theories in different areas exist that take in consideration the dichotomy between the masculine and the feminine one.

The Turtle And The Hare

In a beautiful day of sun, Toc, toc, toc Owner Turtle Follows, for the road, slowly tranquila and contents well. Raising dust, She passes for it, the owner Hare, fast Fast and, Laughing to the four winds all zombateira. That animal is this? What walks so slowly? Of you I earn At any point in the race. he provokes the hare, Singing its glory, finding itself already winning. You defy me? says the owner Turtle, with wisdom airs? Therefore you will see! As to earn of you, I am capable! Race made right, Congregated the bicharada one, and giving the jettison, Follows owner gone off Hare in. Filed under: Randall Mays, San Antonio TX. Owner Turtle, in slow, however constant steps, part of raised and confident neck. Owner Hare, in the way it way, Vain of the victory, decides to rest a bit and finishes for cochilar. In the arrival line, owner Turtle Commemorates the taste of the glory with the all bicharada one! Therefore, she learns a thing: she does not sing the victory before the hour!

Hospice Movement

A new publication from the Publisher of Hospice the hospice movement is one of the great social movements in Germany and dealing with death and dying has changed. She was trying to find new ways for the end of life in a radically altered situation. Initial resistance she prevailed, has grown, has made the theme of ‘socially acceptable’ and has almost become a humanizing boost in the views on the subject of dying, death and grief. Citizens, but above all citizens have planted the idea of a dignified death in the German society in courageous, thoughtful engagement and the seed of this idea has risen in the meantime. Much of the early days is now long forgotten, many Hospice initiatives a generational change takes place. This book will recounts the beginnings, reconstructed from over 70 interviews with pioneers and pioneers of the German movement of Hospice and palliative medicine.

the beginnings, retold. The commitment of people is exciting visible, which often from their own concern for a more humane death pushed – imaginative, non-bureaucratic, jointly and severally. Here, the authors present a living history of the hospice movement in Germany (“oral history”) is created on the basis of scientific research. By the pioneers and pioneers come to the language past comes alive and permanent, even self-critical insight for the future discussed. The highly readable book offers essential guidelines, inspirations, and vote for the further development of hospizlich palliative work in Germany and represents a stimulating basis for the education and training for professional and volunteer in the field and for all interested citizens.

Andreas Heller, Sabine Pleschberger, Michaela Fink, Reimer Gronemeyer, about 420 pages, paperback, Ludwigsburg 2012, ISBN: 978-3-941251-53-3 price: 34.90 (D) / EUR 35,90 (A) the Hospice verlag is a cultural project. He published texts, the culture hospizlichen subjects such as Life, death, life care, ethics, grief, religion, palliative medicine, rituals, funeral, spirituality, etc. technically and factually deal. the Hospice Publisher informed Hospice Palliative facilities and all in the field of the design of the last phase of life working on their discussions and the society about their Hospice – and palliative work. the Hospice publisher wants to make a contribution to the further development of a culture of life and death and the social development of the Hospice idea with Hospice – Palliative facilities. Here he supported contact the German Hospice – und PalliativVerband e.V. in his principles and in its project work: the Hospice Caro & Cie. oHG Daniela Guglielmi Solitudestrasse 55 71638 Ludwigsburg Tel: + 49 7141 9563862 E-Mail: Internet:

Literary Movement

They say before me that a society without the popular esteretipos and types is a society deceased and without favour; I say the reason for which the mulato and the black not them accepted. Additional information is available at BSA. The esteretipos are placed in a social group to amuse the social group that exerts the power in the society, are placed to delimit and to incapacitate a group socially inferiorizado, an example: the indian is sluggish, the black is vagabond and the mulato is a little of each thing. If the esteretipos exist, inevitably, go to place them in another social group, because the mulato is known of more accepting them. ng Control of Your Diabetes. Not accepted the intelligent black to be called negro or any thing delimits that it, because this intelligent black knows of the historical weight that for behind of this word and characterizes that it socially. The reply for this question it is a done phrase: ‘ ‘ to call a white German is not preconception, now, to call a black and negro is. BECAUSE IT IS PRECONCEPTION? .

It is preconception because in the word negro and in other words that are not necessary to pronounce, are loaded of esteretipos that had been constructed throughout history, and that the proper black accepted for lack, necessity and illusion of being accepted, and in certain appreciated way. The esteretipos possess this power to delude, to give excluded to a false illusion of that it accepted and is appreciated: an example clearly is malandro and the mulata that still possesss this illusion of that they are accepted. It is not difficult to observe that malandro was accepted until the moment that was convenient and beneficial accepted it as a product of the popular culture, but what the social group which this malandro belongs, earned exactly with this caricature of itself? Absolutely nothing, not to be plus one estereotipo they delimit that them. So that it serves this today malandro? Now the mulata serves and very! It is enough that this mulata continues with its maddening rebolado that it will continue serving for some thing. They had said me to a time that the mulatas are hotter than the white women, I asked to this individual: _ Where you imagine this mulata working? I myself I answered: _ Certainly this its mulata idealized sexually does not work as manager of the Bank of Brazil; certainly this its idealized and hot mulata is a prostitute of esquina or any another thing excludes that it to worthy participate of the Society, and that blond one that it is not very hot to its way to see, where to you imagines it working? Certainly in some at least worthy place! This is the reason for which the not accepted black the esteretipos. When we call a German German we are in relating only its physical characteristics, now, when we call a black negro, we make over again all the historical esteretipos and preconceptions that have for behind of this word. It is enough to remember to the synonymous associates the word negro who had been constructed throughout history.